Neo Hai Bin is one of the 14 Citizen Reviewers selected from the 2016 Open Call application. He has been invited to continue on in the 2017 cycle. His performances include Bondage, Shh.. (Forum Theatre), Mulan (children’s theatre), Dua Dai Ji (Mockumentary Theatre), 11: Gao Xing Jian Devised (TTP Lab), Life Choices (Monologue), An Enemy of the People, Upstream, etc. He is a founding and core member of Nine Years Theatre Ensemble Project. It is a humbling experience to be part of theatre, part of life. He keeps a blog at: thethoughtspavilion.wordpress.com 梁海彬 为什么做剧场？剧场教他质问自己、关心本土、思考议题；教他不停止独立思考；让他对自己的身体更敏感。梁海彬于戏剧盒的青年支部艺树人接触剧场，和本地剧团—— 戏剧盒、实践剧场、九年剧场、十指帮、必要剧场—— 合作。参与的演出包括上身不由己、告别：身体16章（澳门艺术节2013）、安乐、底层… Why theatre？某天，有人给他当头棒喝：并非剧场需要我，而是我需要剧场。 海彬目前是「九年剧场演员组合计划」的创建及核心组员。他写的文字亦收入在：thethoughtspavilion.wordpress.com “因死而知生—— POOP! 由影而看见光的反向思考” “不简单的火锅对话” “多重复杂的角色扮演” “谁是哈里斯·沙玛” “启航了，驾驶员呢？” “记忆是我们仅有的权力” “没有真理，只有视角” “突破生命的局限，超越时空的约束” “这次，说话的是老师” “说白了，对大家都没有好处” “说不出，就用身体表达吧” “水孕育生命” “无可避免的轮回” “一沙一世界 – 从鸠摩罗什看见自己” “对话” “《无独有偶》：情感的Collectors” “不是痴人说梦” “孤岛没有边缘，死亡没有空间” 
REVIEWS BY HAI BIN
POOP by The Finger Players
Reviewed on 22 October 2017
HOT POT TALK by Chong Gua Khee
Reviewed on 9 September 2017
THE ORANGE PRODUCTION by The Necessary Stage
Reviewed on 10 August 2017
BEING HARESH SHARMA by The Necessary Stage and Cake Theatrical Productions
Reviewed on 1 July 2017
BOEING BOEING by Wild Rice
Reviewed on 1 July 2017
TROPICANA THE MUSICAL by Spare Room Productions
Reviewed on 20 April 2017
THOSE WHO CAN’T, TEACH by The Necessary Stage
Reviewed on 12 March 2017
WITH/OUT by Loo Zihan
Reviewed on 26 March 2017
MICROMANAGE OVERWORK EXASPERATE by Dark Matter Theatrics
Reviewed on 2 October 2016
ART by the Singapore Repertory Theatre
Reviewed on 26 September 2016
MAMMA LUNA by Theatre des Enfant Terribles
Reviewed on 11 August 2016
FLEET by The Theatre Practice
Reviewed on 28 July 2016
HOTEL by Wild Rice
Reviewed on 23 July 2016
KUMURAJIVA by Toy Factory
Reviewed on 29 May 2016
DRUMS by Shigeki Nakano & Chong Tze Chien
Reviewed on 14 May 2016
THE COLLECTORS by The Finger Players
Reviewed on 10 April 2016
INTRUSIONS by Jean Ng and Joavien Ng
Reviewed on 2 April 2016
GRIND by Toy Factory
Reviewed on 26 March 2016
Neo Hai Bin | 梁海彬
Why theatre? Over the years, Neo Hai Bin experienced the theatre’s power to question, transform, create, and develop social awareness. He started off as a member of “ARTivate”, the youth wing of Drama Box. Now a freelance theatre practitioner, he has worked with Drama Box, The Theatre Practice Lab, Nine Years Theatre, The Finger Players, The Necessary Stage.
