The Vault safe-keeps Singaporean works dating back to our early theatre years. The platform does not merely document the past but manifests as contemporary responses to these works presented at Centre 42 premises. The Centre invites artists and practitioners to respond critically and personally to canonical Singapore classics, lesser known pieces and rarities, reworks and adaptations, and cross-cultural and cross-genres works.
The following articles provide an overview and documentation of each instalment of The Vault.
13 & 14 Nov 2021 | The Vault: The Interchange is a performance that revisits classics from the Singaporean theatre canon and explores the shared theme of losing culturally significant spaces.
21-22 Aug 2021 | The Vault: RE:CALL is a performance response to the play Recalling Mother, about the personal stories two women tell about their relationships with their mothers. It comprises a movement showcase and a participatory workshop engaging with…
9 & 29 Apr 2021 | The Vault: Who's Asking? Who's Talking? features two original short performances devised in response to Henry Ong's Madame Mao's Memories. The two performance responses are created by the graduating students of the NUS Theatre…
18 Apr 2020 | The Vault: Ties That Bind features two original short performances devised in response to Eleanor Wong's Wills and Secession. This public presentation was to have taken place on 18 April 2020 at Teater Ekamatra's Greymatter, but…
30 Nov & 1 Dec 2019 | Desert Blooms is a lecture-performance that traces the history of Singapore theatre from 1985 to 1995 through a queer lens. Created by Ng Yi-Sheng, directed by Tan Shou Chen and performed by Rebekah…
20 April 2019 | The Vault: Gossip, Symphony & Other Matters features three performance responses to Robert Yeo's One Year Back Home. The three performance responses are created by the graduating students of the NUS Theatre Studies Theatre Lab, engaging…
5-6 Oct 2018 | The Vault: Sau(dara) is a contemporary response to Leow Puay Tin's Three Children. Created by Bhumi Collective, Sau(dara) is an homage to the 1988 production of Three Children which draws from the original text and the…
29-30 Jun 2018 | @thisisemeraldgirl is an adaptation of Stella Kon’s much-loved play Emily of Emerald Hill. Created by Eugene Koh and Lee Shu Yu, and performed by Brenda Tan, @thisisemeraldgirl combines new writing, multimedia, and Stella Kon’s original text…
23-25 Nov 2017 | Two versions of The Vault: My Grandfather’s Road were presented – one written and performed in Singaporean Cantonese by Gary Tang, and one written and performed in Malaysian Cantonese by Tan Cher Kian.
28-29 Oct 2017 | Written by Aswani Aswath and dramaturged by Alfian Sa’at, Absence Makes the Heart… is an attempt to trace the presence and absence of Indian roles in Singapore English-language theatre, from the early days of its birth…
5-6 May 2017 | Nelson Chia, the artistic director of Nine Years Theatre, directed “No Parking on Odd Days” and “The Coffin Is Too Big For The Hole”, monologues written by late theatre doyen Kuo Pao Kun. In an exploration…
19 Mar 2017 | Dance practitioners and researchers Dr. Nidya Shanthini Manokara and Jocelyn Chng presented the findings of their research into motherhood, dance and text, in a devised performance, and an exhibition.
24 Feb 2017 | Contemporary dance artist Lee Mun Wai presents his artistic response to the works of playwright Elangovan, specifically the three banned plays Talaq, Smegma, and Stoma.
16 Jul 2016 | Under the direction of theatre practitioner Zelda Tatiana Ng, the reading of Leng-Geh-Mng was presented in the format of a radio play. Performing the reading were some of the original cast members from the 1998 production.…
2-6 Jul 2016 | Interdisciplinary artist Kiran Kumar performed Dear Dead Dancer on 2 July 2016 at the Centre 42 Black Box. This video recording is accompanied by documentation of the projection slides, text, and images of the performance. Dear…
23 May 2016 | In this presentation, the creators and writers shared the experiences of developing a new play through writing collectively, and making documentation a key element in the process. Selected character monologues and scenes were read by the…
5 Dec 2015 | The Centre 42 Black Box was outfitted with 10 screens showing past footages of Christina Sergeant’s performances, with notes scribbled on the screens detailing her journey in Singapore theatre scene. The collected interviews with Roger Jenkins,…
23 Nov 2015 | The Vault: 汐/Sea is directed by Casey Lim, and features Serene Chen and Zelda Ng who reprise their roles as the sisters. The actresses perform a combination of Robin Loon’s translated text 《汐》 and Haresh Sharma’s…
12 Oct 2015, 8pm | In this seminar-styled presentation, Margaret Chan shares her investigation of Kuo Pao Kun’s metaphors of Big Bird and the Cat. Features readings from Kuo Pao Kun’s plays by Ali Khan, Margaret Chan and her students…
30 Sep - 3 Oct 2015 | Spatial designer Lim Wei Ling responds to the text Invisibility and presents a bold “living” installation highlighting the ephemeral nature of relationships and the interchangeable, interdependent forces of life that exist in this…