A LINE COULD BE CROSSED AND YOU WOULD SLOWLY CEASE TO BE by Intercultural Theatre Institute
Reviewed by Isaac Tan | 5 September 2019
Isaac Tan
FORKED by The Finger Players
Reviewed by Isaac Tan | 18 August 2019
FANTASTIC MR FOX by Singapore Repertory Theatre
Reviewed by Isaac Tan | 16 August 2019
THE WEE QUESTION MARK AND THE MOUNTAIN MOVERS by The Theatre Practice
Reviewed by Isaac Tan | 4 August 2019
THREE FAT VIRGINS UNASSEMBLED by TheatreWorks
Reviewed by Isaac Tan | 14 July 2019
GRETEL AND HANSEL by The Little Company
Reviewed by Isaac Tan | 12 April 2019
A FORTUNATE MAN by New Perspectives
Reviewed by Isaac Tan | 19 January 2019
AYER HITAM: A BLACK HISTORY OF SINGAPORE by Sharon Frese, Ng Yi-Sheng, and Irfan Kasban
Reviewed by Isaac Tan | 17 January 2019
Isaac Tan
Contributing Reviewer in the 2014 Pilot Cycle, Associate Editor (English) in 2016, Citizen Reviewer 2015, 2017, 2018 & 2019
In the Living Room: Year in Reviews 2018
4 Dec 2018, 7.30pm | Eight reviewers from Centre 42’s critical writing platform Citizens’ Reviews and online arts publication ArtsEquator.com invite audiences to chat about noteworthy trends and observations from Singapore theatre in 2018.
LEAR IS DEAD by Nine Years Theatre
Reviewed by Isaac Tan | 26 October 2018 (Photo: The Pond Photography, courtesy of Nine Years Theatre)
UGLY DUCKLING by Arts Theatre of Singapore
Reviewed by Isaac Tan | 5 August 2018
THE CAT IN THE HAT by The Little Company
Reviewed by Isaac Tan | 11 August 2018
CHINATOWN CROSSINGS by Drama Box
Reviewed by Isaac Tan | 18 July 2018
PISSED JULIE by Nine Years Theatre
Reviewed by Isaac Tan | 18 May 2018
EXCAVATIONS by Singapore Art Museum
Reviewed by Isaac Tan | 15 April 2018
CUT KAFKA! by Nine Years Theatre & T.H.E Dance Company
Reviewed by Isaac Tan | 1 March 2018
PLATFORM SERIES: JOURNEYS, A DOUBLE BILL by GenerAsia
Reviewed by Isaac Tan | 3 February 2018
THE NEIGHBOR’S GRIEF IS GREENER by Emanuella Amichai
Reviewed by Isaac Tan | 23 January 2018
MAMA WHITE SNAKE by Wild Rice
Reviewed by Isaac Tan | 12 December 2017