SOMNOGRAM by USP Productions

“It Didn’t Happen Like That”

Reviewer: Sam Kee
Performance: 23 January 2015

The highlight of the night was Alfred Wan, playing the role of Desmond – a Starbucks barista. His character is a “been there, done that” big brother. Wan is deftly helped by the fact that his character is rooted and rises above all the philosophical discussion. His interpretation is matured and nuanced.

In Somnogram, Denise Khng, director and playwright, aims to explore isolation and death via the theme of eternal recurrence in life and dreams. I have always felt that student-written plays can often produce very valuable perspectives and explore subject matters that established theatre companies seldom contemplate.

However, in Somnogram, most of the scenes are merely dialogues between pairs of characters on stage. Everything was said, not shown. The constipated momentum of the play certainly did not help: there are scenes that could use a little more stage time to bring out the emotions and non-tangible aspects of each character; there are scenes that could have really been glossed-over. It seems like there are two separate storylines, mangled and alternated. The director’s approach is too ‘tele-movie’, not using the form of theatre to its full potential. The idea of pursuing philosophical and hypothetical questions about life in theatre is pertinent and appropriate but the use of parallel universe and bending of space-time in this performance is one-dimensional and inadequate.

Given the complexity of the story, I am glad the visual and audio aspects were meticulously thought through. The set design was kept neutral and clean, mostly comprising straight lines – just enough to manifest a cafe interior. A lamp poised right in the middle of the backdrop, pointing at the audience is a bold, but beautiful, move by the students. Very basic theatre props like these often present very clean and elegant theatre. The sound design helped to create a surreal environment with the sounds of trains leaving a station and strong basal beat underscoring the scenes.

Although Somnogram remains very much a typical student production, if the creators had more experience with theatre, they could have employed more devices and alternative theatrical approaches to bring out the magnitude of the ideas embedded in the script.

 

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ABOUT THE PRODUCTION

SOMNOGRAM by USP Productions
23 – 24 January 2015
DBS Arts Centre

ABOUT THE REVIEWER

Sam Kee is currently helming the literary and visual arts section at artsrepublic.sg while putting her major in Mathematics to good use at an educational publishing house.