Centre 42 is a blue-hued greenhouse for plays. Some theatre-makers arrive with a sapling of a play, and we simply provide time and space for growth. And sometimes, we give a bit more of a nudge. For the first time…
Playwriting can be a lonely career. For the independent playwright, creating work and searching for opportunities by oneself is often a daunting, difficult task. But two heads (or more) are better than one, as I found out from two playwriting…
On 26 May, the invited speakers of the Asian Dramaturgs’ Network (ADN) Conference 2019 gathered back in the Festival House Blue Room to share highlights, insights and critiques from two days of presentations and intense discussions. Titled “Dramaturgy and the…