Centre 42 » New Scripts Residency https://centre42.sg Thu, 16 Dec 2021 10:08:35 +0000 en-US hourly 1 https://wordpress.org/?v=4.2.30 THE NATIONAL CURRICULUM | Ahmad Musta’ain https://centre42.sg/the-national-curriculum-ahmad-mustaain/ https://centre42.sg/the-national-curriculum-ahmad-mustaain/#comments Thu, 30 Sep 2021 06:46:19 +0000 https://centre42.sg/?p=15266

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Reading-Presentation Details:

20 November 2021, Saturday
3pm
Black Box @ 42 Waterloo Street
(by-invitation only)
Click here to Register for an Invitation

  • Synopsis

    The play looks at the stressors and strains of the lives of teachers and students who find themselves marginalized by an education system that was supposed to support and develop them. For most LGBTQIA+ teachers whose entire careers are spent in school, having to mask their identities while having to teach their students to discover, accept and love their true selves is ironic and potentially counterproductive to their goals in education. What can they do, or what has to be done to ensure that they get the most out of an education that doesn’t support their best interests?

  • Ahmad Musta'ainAhmad Musta’ain – Playwright

 

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COMING BACK | Chuah Weiqi https://centre42.sg/coming-back-chuah-weiqi/ https://centre42.sg/coming-back-chuah-weiqi/#comments Wed, 29 Sep 2021 07:34:53 +0000 https://centre42.sg/?p=15275

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Reading-Presentation Details:

21 November 2021, Sunday
2pm
Black Box @ 42 Waterloo Street
(by invitation only)
Click here to Register for an Invitation

  • Synopsis

    A young woman revisits her childhood home and realises she has lost all emotional connection with her hometown. As she struggles to rebuild connections with an old friend, a surreal encounter with a ghostly young girl takes her on a trip down memory lane, where she finds herself faced with confronting her past and redefining what “home” means to her.

    Artist’s Statement/Inquiry

    coming back follows a young woman’s search for belonging and seeks to explore our relationship with spaces and memory. This work-in-progress aims to:

      • Explore memory through a non-linear storytelling form, as an attempt to reflect on our hazy relationship with nostalgia and trauma, and the ways in which they colour our experiences and perception.
      • Examine the complex relationships between characters through the writing and workshop process, to find the nuances in friendships that have been influenced by time, distance, and perceived notions of trust and abandonment.
      • Externalise a character’s psyche, their intangible conflicts and motivations, by utilising the stage as a liminal space for processing and charting internal journeys.
  • Chuah Weiqi – Playwright

    WeiqiChuah

    Weiqi is a visual and verbal storyteller with a curious mind, constantly excited by the strange workings of our world. She is drawn to narratives that explore the relationships we make with each other, with ourselves, and our realities. From stories about afterlife spirits in a pandemic-stricken columbarium, to documentaries diving into the hidden indie hip-hop music scene in Singapore, Weiqi’s works seek to unpack the ways through which we find our place in the world and how we make sense of our own journeys in growth and connection. As a creative swiss army knife, Weiqi channels her curiosities through her various ventures into creative writing, filmmaking, and theatre.

 

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LOVERS TEXT LOVERS | Ang Kia Yee https://centre42.sg/lovers-text-lovers-ang-kia-yee/ https://centre42.sg/lovers-text-lovers-ang-kia-yee/#comments Tue, 28 Sep 2021 06:49:48 +0000 https://centre42.sg/?p=15268

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Reading-Presentation Details:

29 October 2021, 8pm
Black Box @ 42 Waterloo Street
(by invitation only)
Click here to Register for an Invitation

  • Synopsis

    Lovers Text Lovers is an experimental play about the movement of love and desire within the entanglements of identity, pop culture and language. Taking the relationship of two lovers—a Singaporean Chinese postdoctoral researcher and a white British Tsinghua University professor of Comparative Literature—as a point of departure, Lovers Text Lovers asks: How much of our desires and relationships are predetermined? How can we transcend or re-interpret these narratives? Who else can we be(come) to ourselves and one another?

    Artist’s Statement/Inquiry
    I tend to write instinctively, with my gut, without being fully cognizant of my own interests and intentions until I can read and process them. That is how I first drafted this script, which has been an exploration of my Singaporean Chinese identity in relation to pop culture, language and race. In particular, I’ve been curious about the ways pop culture and media influences how we perceive romance and relate to one another. With this second draft—a considerable overhaul of the first—I’d be keen to hear about your first impressions of the script. What are you most struck by, and what sort of questions does it raise for you?
  • Ang Kia Yee – Playwright

    kiayeeAng Kia Yee is a transdisciplinary artist, writer and slow dream machine. Their work performs and speaks within the realms of desire, futurity and ecology, with an emphasis on love and deep time. Their writing has occurred in Quarterly Literary Review SingaporeStand MagazineCha: An Asian Literary Journalso-far, as well as within a few anthologies and exhibitions; their performances have occurred in the Substation Theatre, Camden People’s Theatre, COW Birmingham, and the Esplanade. https://kyatos.com/

 

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LATCH | Samantha Chia https://centre42.sg/latch-samantha-chia/ https://centre42.sg/latch-samantha-chia/#comments Mon, 27 Sep 2021 06:51:23 +0000 https://centre42.sg/?p=15271

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Reading-Presentation Details:

Advisory: Mentions of Child Abuse and Sexual Assault

23 October 2021, Saturday
8pm
Black Box @ 42 Waterloo Street

(By invitation only)
Click here to Register for an Invitation

  • Synopsis

    Young police investigator Kim has been assigned to her first station. She thought that criminals and suspects were her biggest concerns but soon realizes there are other things she has to protect herself against.

    Artist’s Statement/Inquiry

    At this stage, the work is ready for the following:

    • Collaboration with actors and director so that Latch can be experienced and viewed by an audience, allowing further development through feedback.
    • An invitation to designers, producers and other investors to help Latch reach its full presentation. In light of recent climate, I believe there is potential and merit in the work to explore unconventional styles of staging, be it digital, multimedia, movement or mixed reality.
  • Samantha Chia – Playwright

    Samantha loves a good story.

    And as a Stage Manager, it gives her great joy to bring people’s stories to life.

    She is also equally passionate in telling her own stories. That is, if she ever found the time to sit down and write. In 2019, Samantha wrote and produced a dramatized reading performance, A Piece of Cake under the C42 Basement Workshop Residency. Latch would be her sophomore attempt in creating, what she hope would be an entertaining play.

     

    Henrik Cheng – Director

    Henrik is a “theatre generalist” from New York based in Singapore. They had the fortunate experience to take on the role of: a venue coordinator with New Orleans Fringe, a facilitator & deviser in Speakcryptic’s The Tribe at SIFA OPEN, performer & deviser in Attempts: SG for the M1 Fringe, graduate from the Intercultural Theatre Institute (ITI) in 2017, and devised a site specific online experience under Substation’s Novel Ways of Being 2021, entitled part\wh.  Abroad/online Henrik directed a zoom piece in Mexico City. Henrik personally gravitates towards works aiming to provide hope, healing, and to encourage positive and proactive change.

    Zaaki Nasir – Cast
    Zaaki is an actor, scriptwriter, voiceover actor, educator, as well as a certified Medical Clown. Would love to voice a cartoon someday.

    Tysha Khan – Cast
    TyshaKhan is an artistic force, known for her versatile acting and powerful writing. Her practice centres around extracting truth, and finding simple ways to present it, in order to facilitate understanding. She is a graduate of the intercultural theatre institute, and can currently be seen on mewatch and Suria as Sarah on the sci-fi thriller “Dualiti”

    Al-Matin – Cast
    A graduate from Intercultural Theatre Institute (ITI) with a Professional Diploma In Intercultural Theatre (Acting), class of 2015. He has been working professionally in the theatre and television since 2010, but mainly as stage actor. He has worked with many notable local companies like The Necessary Stage, Cake Theatrical Productions, The Theatre Practice, DramaBox, TheatreWorks and many more. He has also performed internationally in cities like Brisbane, Braunschweigh and Edinburgh. His background in Dikir Barat in his early days and ITI has enabled him to interweave his craft across multi-dimensional performance, from traditional to contemporary , physical and animation/digital.

    Julius Foo – Cast
    A theatre practitioner
    Started as an administrator and actor with The Necessary Stage
    Trained and worked at the Workcenter of Jerzy Grotowski and Thomas Richards (Italy) between
    1999 and 2002, as a member of Theatre OX

    Enjoys working in the community
    Continues to enjoy the process of discovery and creation
    Working Online is a work in progress

    Nicholas Bloodworth – Cast
    Nicholas Bloodworth is a performer based in Singapore with over 15 years of experience. With a BA (Hons) in acting, his work encompasses theatre, television, film and voiceovers. Nicholas has worked with Theatre companies like TheatreWorks, TNS and Generasia. He is also a core member of Howdrama’s comedic Ensemble group “Fat Kids Are Harder To Kidnap”.

    Rilla – Stage Manager
    Rilla is a recent diploma graduate from LaSalle, her versatility as a theatre and events professional is evident of her production credits during her time in the Diploma in technical and production management. She took up different roles as she believes that it is useful to go through different roles to understand different departments better and to be able to take up different jobs. Although her main interest is in props making and sewing. She likes to craft things with her hands and the end product gives her a satisfaction of completion. The crafts can be seen from the recent jobs she has done recently in “Dualiti” on Mewatch and “The Time Machine” with Toy Factory.

 

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New Scripts Residency Open Call (Oct 2021) https://centre42.sg/new-scripts-residency-2021/ https://centre42.sg/new-scripts-residency-2021/#comments Sat, 31 Jul 2021 00:30:35 +0000 https://centre42.sg/?p=14429 NSR-Banner

The New Scripts Residency is a space where artists can test drafts of new works and receive feedback from a critical reception where a targeted audience is invited to support the development of the work.

The Residency welcomes proposals from artists who would like to:

  • Test an original script-based theatrical work 
  • Receive critical feedback from invited audiences

Artists must also be able to commit to the stipulated period of the residency. Please see application details.

About the ResidencyApplication DetailsFrequently Asked Questions

If accepted, resident artists will be provided with the following:

  • Up to 8 hours of use of 42 Waterloo Street Black Box for a critical reception
  • Use of discounted rate for venue booking at Arts Resource Hub@42 Waterloo Street
  • Fixed stipend of $500
  • Access to Centre 42’s mailing list subscribers and network to engage with specific audience group(s) for the presentation session
  • Opportunity to be hosted on the C42 Archive of Singapore Theatre as part of our Registry of Unpublished Scripts

The Open Call for the New Scripts Residency will be open from 31 July to 13 August 2021.

Please click here to submit an application: https://forms.gle/CKFkvPX1u4U2VXJB8

Who is this platform for?
What kind of work is the residency looking for?
What is a 'critical reception'?
Who can attend the critical receptions?
Will Centre 42 be providing rehearsal space?
Will Centre 42 be providing a creative team and actors?
How often does this residency accept artists-in-residence?
How will Centre 42 decide on the suitability of the proposals?
What happens after my submission?

Not sure if this residency is suitable for you or your work or have more questions for us? Get in touch with us at residence@centre42.sg

NEW SCRIPTS RESIDENCY
OPEN CALL
31 July 2021 – 13 August 2021
RESIDENCY PERIOD
September – October 2021
PRESENTATION
23 and 24 October 2021
2.30pm & 7.30pm
Registration Details to come

ABOUT THE NEW SCRIPTS RESIDENCY

The New Scripts Residency is a space where artists can test drafts of new works and receive feedback from a critical reception.
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