Centre 42 » Eleanor Wong https://centre42.sg Thu, 16 Dec 2021 10:08:35 +0000 en-US hourly 1 https://wordpress.org/?v=4.2.30 MERGERS & ACCUSATIONS by Eleanor Wong https://centre42.sg/mergers-accusations-by-eleanor-wong/ https://centre42.sg/mergers-accusations-by-eleanor-wong/#comments Thu, 23 May 2019 06:59:34 +0000 http://centre42.sg/?p=12055

“Mergers & Accusations”

Reviewer: Amanda Leong
Performance: 13 April 2019

Mergers and Accusations was written by Eleanor Wong in 1993, when it made its mark on the Singapore’s theatre scene. This play has been re-staged at least three times before (by Theatreworks in 1993, Wild Rice in 2003, and Esplanade Presents: The Studios in 2015). Considering the limited space and resources that the local theatre scene has, one must wonder what is so special about this play and whether it deserves its numerous restagings.

The title of the play alludes to both its lawyerly setting and the precarious and painful process of negotiation within intimate relationships. Lawyers Ellen Toh (Oon Shu An) and Jonathan (Shane Mardjuki) are best friends and colleagues at a big and successful law firm. Ellen is sharp-tongued, with a hard edge that she developed after years of hiding her true identity as a lesbian. Jonathan is love-sick, flawed by charming. The pair, who are semi-sexually attracted but not in love, decide to get married. Things go well for a while, until Ellen meets her soulmate – Leslie the Lesbian Lawyer from London (Nessa Anwar) – and things unravel.

The play, with its fast-paced dialogue and narrative, feels breathless and sexy. However, some elements in this production feel overdone and cringy, like the strange heavy breathing sounds that are used during scene transitions.

Nessa falters with her inconsistent and jarring British accent, and her character does not develop beyond her namesake. Furthermore, Leslie and Ellen’s relationship becomes flattened by the stereotypical butch-femme dynamic. While their attraction and connection is convincing, their relationship is not particularly compelling in and of itself. Thus, this portrayal ends up trivilialising the love story between Leslie and Ellen, reducing it to the lesbian relationship that disrupts the traditional heterosexual family unit.

By the end of the play, I am still not entirely convinced that the play truly deserves yet another restaging. The main things that made Mergers and Accusations stand out in the 1990s were its strong LGBT themes and complex portrayal of gay characters. The same can’t be said for this rendition of the play, as these portrayals fall flat.

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ABOUT THE PRODUCTION

MERGERS & ACCUSATIONS by Eleanor Wong
11 – 14 April 2019
Esplanade Theatre Studio

ABOUT THE REVIEWER

Amanda is a sophomore in Yale-NUS, majoring in Anthropology. She writes short stories, articles, essays and sometimes, art reviews. In her creative and academic pursuits, she explores the human condition: What makes people happy? How are things the way they are? When are things enough, or what makes people break?

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INITIAL CONDITIONS written by Eleanor Wong https://centre42.sg/initial-conditions-by-eleanor-wong/ https://centre42.sg/initial-conditions-by-eleanor-wong/#comments Fri, 27 Feb 2015 00:25:21 +0000 http://centre42.sg/?p=2458 Drawing inspiration from ideas and themes in the quantum world to inform and illumine ordinary life, Initial Conditions is part of a larger meditation on love and relationships in a changing world. Performed by Jo Kukathas and Sean Tobin, this 30-minute reading marks Eleanor Wong’s conclusion of her residency at the Centre for Quantum Technologies (CQT), and will be followed by a dialogue with scientists.

Event Details
13 – 14 March 2015, 8.00pm
Centre 42 Black Box

Free event | Registration required
Email admin@caketheatre.com

Creative Team
Writer: Eleanor Wong
Director: Natalie Hennedige
Performers: Jo Kukathas and Sean Tobin
Lighting Designer: Andy Lim / stage “LIVE”
Production Design: neontights
Produced by: Cake Theatrical Productions

 

About Eleanor Wong’s residency at the Centre for Quantum Technologies (CQT):

Eleanor, a published playwright and poet, has pursued parallel careers in law and media. Her plays have been produced in Singapore and regionally. She was awarded the CQT Residency (September to December 2014) following an open call to Singapore writers for proposals drawing inspiration from research at CQT. Her proposal to CQT was to write some scenes that would ultimately form part of a piece of musical theatre.

During her residency at CQT, Eleanor delved into the fundamental concepts and tools of quantum physics through discussions with CQT researchers, visits to the Centre’s laboratories and by attending talks.

Eleanor is collaborating with Singapore theatre company Cake Theatrical Productions, helmed by Artistic Director Natalie Hennedige, to present a rehearsed reading of scenes she has written during the residency which incorporate quantum ideas; the working title of the read is “Initial Conditions”. The readings will mark the conclusion of the residency but Eleanor will continue work on the play, aiming for a production of the complete new work in 2016.

Source: Centre for Quantum Technologies website

 

Centre 42 is proud to be one of the supporters of this phase of Eleanor Wong’s new work.

 

 

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