Centre 42 » playcircle https://centre42.sg Thu, 16 Dec 2021 10:08:35 +0000 en-US hourly 1 https://wordpress.org/?v=4.2.30 LEAVE, STAY, OR TO DIE | playcircle https://centre42.sg/leave-stay-or-to-die-in-residence-basement-workshop/ https://centre42.sg/leave-stay-or-to-die-in-residence-basement-workshop/#comments Wed, 21 Feb 2018 04:28:06 +0000 http://centre42.sg/?p=8248 Leave stay or to die Banner
SynopsisCreation ProcessCreative Team
Leave, Stay, or To Die is playcircle’s debut performance, exploring the relationship between a child and father. Through this, rethinking our role in the family unit. This play is also a crystallisation of its members’ learning in the arts. Playcircle is a young theatre collective made up of members of the pioneer batch of ARTivate, the youth wing of Drama Box Ltd  (a platform for youths who want to explore and gain all-rounded insight into theatre).

The first phase will involve researching for materials that are related to the theme “relationship between a father and child”. The materials found can range from past scripts to poems to photos to songs to personal writings, such as articles on fatherhood; local literary texts like “The Dragon Prince’s Letter to His Father” by Cyril Wong; academic papers on parenthood and the nature of a parent-child relationship; personal blogs and writings; and more. From there, discussions will be held for the group to come out with questions that they will like to raise in the play, such as “who is my father?”, “what is the nature of this bond?”, “what does it mean to be blood-related?”, etc.

After streamlining the questions, the second phase will begin with retrieving materials that may help in exploring or investigating the questions raised, such as personal photographs of their childhood and family and interviews with their fathers.

During the devising phase, the focus will be to explore the premise raised in the first two phases and the form of performance. The team will start with improvisations with the premise of the script before moving on to the form of performance and use of space.

Others
Research Team:

Lam Dan Fong
Liew Jia Yi
Han Xue Mei
Ho Kian Tong
Myra Loke
Tan Wei Ting
Wang Fang, Kate

Producer: Myra Loke
Director: Ho Kian Tong
Dramaturg: Wang Fang, Kate
Playwright: Tan Wei Ting
Cast: Myra Loke
Liew Jia Yi
Neo Hai Bin
Production Designer: Myra Loke
Sound Designer: Han Xue Mei
Multimedia Designer: Han Xue Mei

 Development Milestones 

Leave, Stay or To Die was developed in residence at Centre 42’s Basement Workshop from May to June 2015.

27 June 2015:
A script-read presented to a select group of audience

19-20 August 2016:
The script was further developed and presented as the play 分散 Split Up at Black Box, Goodman Arts Centre

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SPLIT UP by playcircle https://centre42.sg/split-up-by-playcircle/ https://centre42.sg/split-up-by-playcircle/#comments Thu, 01 Sep 2016 06:47:42 +0000 http://centre42.sg/?p=5782

“Split Up”

Reviewer: Kei Franklin
Performance: 19 August 2016

Directed by a playcircle, a collective comprising artists from DramaBox’s youth wing ARTivate, Split Up is an exploration of family, home, loyalty, and inter-generational love. The lights go up on a young woman packing for a flight to America. She hums happily to herself while folding her life into cardboard boxes strewn precariously across the stage. Her elderly father putters about, making breakfast. The scene is overwhelmingly ordinary somehow, an unremarkable image of ‘home’ pervaded by a uniform shade of blue-grey.

The scene of domesticity quickly deteriorates into a full-fledged drama involving risks of unemployment, revealed pregnancy, and a traumatic family history. Split Up has an almost “To the Lighthouse”-esque tone, as countless relationship complexities and conflicts are brought to the surface over a bowl of porridge in a messy flat. This mundane setting contrasts sharply with the poignancy of the moment portrayed – a father losing his daughter to another country, another man, another life – and thereby reveals the baffling banality of such pivotal moments.

Split Up captures a type of affection that feels distinctly Singaporean. The characters enact a sort of downplayed love, a language of affection that comes across as begrudging or ‘naggy’ but rests upon a foundation of actions that reveal a deeply loyal love. The daughter scolds her father for his carelessness, yet calls his boss to beg for his rehire. The father offers to move to America to take care of his daughter’s baby, yet hides the offer beneath a begrudgingly casual tone. The performers embody an impressively acute understanding of this distinctly Singaporean language of love.

Despite a few minor instances of what feels like clunky acting, I find myself swept up in the flow of Split Up. Beyond the relationship dynamics and overlapping personal stories, Split Up comments upon the status of Singapore caught between nostalgia and fast-paced modernity. The characters gracefully enact the complexities of Singapore’s processes of anglicization, the brain drain, and the widening inter-generational gap. Through carefully crafted yet refreshingly commonplace dialogue, I witness inter-generational communication breakdown, and deeply conflicted identities.

I leave the theatre feeling moved, saddened, grateful, and like I should give my grandmother a call.

Do you have an opinion or comment about this post? Email us at info@centre42.sg.

ABOUT THE PRODUCTION

SPLIT UP by playcircle
19 – 20 August 2016
Goodman Arts Centre Black Box

ABOUT THE REVIEWER

Kei Franklin is currently a third-year student at Yale-NUS College, where she studies Anthropology and Environmental Studies. She believes that the best way to spend time is creating.

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