Centre 42 » Rupa co.lab https://centre42.sg Thu, 16 Dec 2021 10:08:35 +0000 en-US hourly 1 https://wordpress.org/?v=4.2.30 RUMAH DAYAK by Rupa co.lab https://centre42.sg/rumah-dayak-by-rupa-co-lab/ https://centre42.sg/rumah-dayak-by-rupa-co-lab/#comments Tue, 24 Dec 2019 17:01:39 +0000 https://centre42.sg/?p=12995

“Home is where you fight and sleep”

Reviewer: Teo Xiao Ting
Performance: 22 November 2019

Brimming with raucous arguments and tender gestures, Rumah Dayak by Rupa co.lab tells a story of a safehouse wherein six Malay youths seek shelter. The safehouse, brought to existence by Kak Julia (Farah Lola) and Abang Nahar (Al-Matin Yatim), gives troubled Malay youths who do not have anywhere to go a place to sleep, to rest – a home.

Over 90 minutes, the definition of a safehouse yawns and stretches. I find myself loving all six kids by the time I walk out of the theatre. The safehouse, borne out of desire and imagination, does not exist in Singapore. Yet, the institutional challenges it faces – such as lack of sufficient funding and imminent state interference – are rooted in reality. As an imagination of futurity, Rumah Dayak calls for a humanised acknowledgement and acceptance of those who have been marginalised and fell through the cracks. In this case, the matrep and minahrep who are often regarded with derision as mere troublemakers. While culturally different, as someone who was called an ah lian in my youth, I resonate with the struggles these youths contend with. It strikes more than a chord to witness the cast embody and expand the stereotype typically imposed on “wayward youths”. Nessa Anwar’s rendition of these characters is fiercely loving and flawed. Which is to say, they are bursting with life.

Through fully fleshed out characters who endear themselves endlessly to me, portraits of youths who have been dealt the short end of the stick reveal the emotional distress and trauma, as well as societal conditions, that have led the youths to scour for ways to survive. But it is important to note that they do so with dignity and a code of honour. When confronted with a possible drug-related offence that Shah (Uddyn J) has committed, Ella (Rusydina Afiqah) tries her best to address the issue while keeping true to her principle of “not [being] a snitch”. These youths have little when it comes to material resources, but they have much when it comes to dignity and love. When Dash (Yamin Yusof) is fretting over culinary school fees, Shah forks out $600 without hesitation.

When Rumah Dayak reaches a climax as the kids are faced with the safehouse’s imminent closure, they band together and try and figure out a solution. Ella, initially foul-mouthed and caustic, stands up for Julia as Amira demands for an explanation as to why this is happening to them: ”They gave us a roof when we needed it. If Kak Julia says the safehouse needs to close, we say ‘thank you’ and fuck off’”.

There are many scenes where the kids’ innocence and stubborn loyalty is presented with sharp realism, bringing me to laughter and tears. With all that, what hits me most is how they each unapologetically and fearlessly take on whatever life throws at them. The situation is unfair, and makes me itch with anger that Singapore, with all its social infrastructure in place, is still lacking so much. The mats and minahs are still here, living and loving, struggling to survive and strive towards building a life for themselves. In an especially heart-aching conversation between Dash and Julia, he confesses: “I thought you’ve forgotten about me.” She answers, soft and kind: “As soon as anyone walks in through these doors, we’ll never forget about you.” And I wish this for Singapore, that we never forget those who live among us, who are continuously trying and failing to seek a place to call home.

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ABOUT THE PRODUCTION

RUMAH DAYAK by Rupa co.lab
21 – 24 November 2019
Malay Heritage Centre Auditorium

ABOUT THE REVIEWER

Xiao Ting recently graduated from Yale-NUS College with a major in Arts & Humanities and a minor in Psychology. Her writing practice started with poetry, and has since moved towards a sort of explicit response. She’s still feeling out the contours of a “reviewer”, and thinks that each review is actually an act of love that documents and critically engages with performance.

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RUMAH DAYAK | by Nessa Anwar https://centre42.sg/rumah-dayak-by-nessa-anwar-2/ https://centre42.sg/rumah-dayak-by-nessa-anwar-2/#comments Fri, 27 Sep 2019 02:52:53 +0000 https://centre42.sg/?p=12682 Rumah Dayak Banner

SynopsisCreation ProcessCreative Team
A night-hour safehouse for the troubled youths, dropouts, runaways and delinquents of the Malay community is run by a pair of ex-offenders. When external intervention looms, it will take their collective efforts to keep the walls of their home up. Or will they come tumbling down?

Written and directed by Nessa Anwar, Rumah Dayak is an unflinching look at the struggle to guard a home built out of circumstances surrounding poverty, deprivation and abuse. Rumah Dayak is the inaugural production by new collective Rupa co.lab, which comprises Hazwan Norly, Nabilah Said and Nessa Anwar.

Performed in Malay and English, with English surtitles.

1st Phase (July 2019)

Rumah Dayak was presented as a full-length dramatised-read at Centre 42’s Guest Room on 6 July 2019. A post-presentation feedback session was facilitated by Nabilah Said. Feedback gathered at this by-invite presentation will provide Nessa with additional information to further develop the play.

2nd Phase (November 2019)

Rumah Dayak will be staged at the Malay Heritage Centre from 21 to 24 November 2019.

Others

About Rupa co.lab
Rupa co.lab is a Singaporean art collective of theatremakers Hazwan Norly, Nabilah Said and Nessa Anwar. In collaboration, these three artists tap into their vibrant and diverse creative processes and talents to create new Singaporean works. Derived from the Sanskrit word, रूप (rūpa), which means “form, shape”, Rupa co.lab is dedicated to reshaping contemporary conversations, through the lens of the Malay person.

Playwright & Director, co-founder of Rupa co.lab – Nessa Anwar
Nessa Anwar has written, acted and produced for theatre, television and video. Nessa began acting under companies like Singapore Repertory Theatre’s Young Company and Teater Ekamatra. Nessa graduated in Philosophy from NUS, studying playwriting and screenwriting. She has written award-winning short films, television programmes and an online series “InstaScram”. Her first full-length play, “Riders Know When It’s Gonna Rain” was staged under Checkpoint Theatre and Wild Rice. She is a founding member of Singapore playwright collective Main Tulis Group.

Producer, co-founder of Rupa co.lab – Nabilah Said
Nabilah Said is a playwright and producer who has presented work in Singapore and London with Teater Ekamatra, The Necessary Stage, Bhumi Collective and Lazy Native. Recent producing credits include “ANGKAT: A Definitive, Alternative, Reclaimed Narrative of a Native” and “Inside Voices” in London’s VAULT Festival. She is the founder of Main Tulis Group, Singapore’s first collective of playwrights writing in Malay and English. Nabilah is also a theatre critic and arts writer.

Marketing Manager, co-founder of Rupa co.lab – Hazwan Norly
Hazwan Norly would like to sell himself as an artist/writer/theatre practitioner/dabbler in pain, but pain is not a condition exclusive to artists. He is a sentimental and emotional observer of the universe, whose currency is life experience points, and whose caffeine is of the mental sort – shaken, not stirred. To date, he has both written and performed for the stage. Hazwan is also one of the founding members of Singapore playwright collective Main Tulis Group.

Actor – Al-Matin Yatim (NAHAR)
Al-Matin Yatim is a Professional Theatre Practitioner graduated from Intercultural Theatre Institute. He has been working for the past decade, mainly as a stage actor, with many notable and established companies like The Necessary Stage, TheatreWorks, Cake Theatrical Productions, Hatch Theatrics, The Theatre Practice, etc. He has also performed internationally in cities like Braunshweig, Brisbane and Edinburgh. He shared the nomination of Life! Theatre Award 2016’s Best Ensemble and Best Production of the year in “It Won’t be too long: The Cemetery” in the Singapore International Festival of Arts (SIFA) 2015.

Actor – Farah Lola (JULIA)
Farah Lola is a budding local comedienne with a knack for observational humour and parody. Most of her content is drawn from her experience growing up as a brown female in Singapore. In the past year, her viral videos have garnered over half a million views on social
media. Her recent work has been covered by international media such as Business Insider and Yahoo SG to rave reviews.She is also a host and has worked as an actor with Teater Ekamatra under the Playwright Director Mentorship Programme.

Actor – Uddyn J (SHAH)
Saifuddin Jumadi, or affectionately known as Uddyn, is a lifelong arts enthusiast. He had his roots in Malay traditional dance with Era Dance Theatre & People’s Association Malay Dance Group. Under the guidance of Osman Hamid, Fathurrahman Said and Sumia Samsudin, he performed various dance pieces and represented Singapore in various International Festivals. Uddyn is multi-faceted; he was pursuing his degree in the infamous Al-Azhar University of Egypt and simultaneously developing his capacity in performing arts. It was in Egypt that he
began exploring creative directing, scriptwriting and producing several plays. With the aim of marrying arts and faith and making it  accessible and mainstream, Uddyn with his 2 other friends formed Big Mouth Production. Since 2009, he has creative-produced and scriptwrote 30 production pieces and still aspire to do more and push boundaries.

Actor – Yamin Yusof (DASH)
Yamin’s first foray in acting was his appearance in Anugerah Skrin 2016 as a contestant. Yamin Yusof has worked in theatre as well as had featured and main roles in short films and television productions for Mediacorp Suria. Formerly trained by Rafaat Hamzah, Najib Soiman, Norisham Osman and Kamil Haque (under the Haque Collective), Yamin spends most of his time in the gym or making coffee.

Actor – Rusydina Afiqah (ELLA)
Rusydina Afiqah received her BA (Hons) in Theatre Arts from Nanyang Academy of Fine Arts. Notable productions include Here and Beyond! (Toy Factory); Bloody Damn (NAFA); Step Outta Line (M1 Singapore Fringe Festival 2018 & NAFA) and a multimedia screening for Kenang-Kenangan Seorang Wanita Pemalu (Teater Kami). Recently, she was a part of Late Night Texting 2019 as a performer in Spittle Spattle, part of Verso/Recto and also a host. Witness the humorous side of Rusydina as she stars in an online comedy sketch series on
YouTube called The BenZi Project.

Actor – Wan Ahmad (BOY)
Wan Ahmad discovered theatre back in 2014 as a member of Temasek Polytechnic’s Teatro Since then, he has worked for numerous companies such as Teater Ekamatra, The Necessary Stage, Malay Heritage Centre, and Esplanade’s Alkesah. He also volunteered in Muhammadiyah Welfare Home to teach theatre to the residents. With two of his friends, he owns a theatre collective, Teater Artysan.

Actor – Tysha Khan (AMIRA)
Tysha is a Singapore-based actor and writer. She has worked in productions by companies such as Teater Kami and UNSAID, often on topics that hold great meaning to her. Her most recent performance was in Anak Melayu (Teater Kami). Besides performing on stage, Tysha acts on screen, hosts, and has her own YouTube channel called Go Jerr. She is also a published poet and has translated films and interviews. A recipient of the Goh Chok Tong Youth Promise Award, she is currently training at the Intercultural Theatre Institute, and will soon be the first Malay-Muslim woman to graduate from the school.

Actor – Ali Mazrin (SLIM)
Ali Mazrin is an actor and set designer. Graduated from HNITEC in Performance Production, Ali studied both in performing and technical aspects, under the teachings of Elnie S Mashuri, Terrence Lau, A Kumarran, Haizan Salam and more. He has designed sets for Karya 2018 by
Azpirasi. He was the stage crew and doubled up as the ensemble, for Alkesah Pestaraya 2018 by Esplanade Theatre. ‘Rumah Dayak’ is going to be his first full-length play, and he couldn’t be more thrilled!

Lighting Designer – Emanorwatty Saleh
Emanorwatty Saleh has worked extensively in production and stage management, lighting and sound design, acting and performance. Some of her technical credits include Reading Centhini (2014) by Agnes Christina at The Substation Directors’ Lab, Lockdown (2014) by Hatch Theatrics and as a lighting designer for Untitled (2013) by The Kaizen M.D. She graduated with a BA (Hons) in Technical Theatre Arts from LASALLE College of the Arts in 2008.

Set Designer – Mohd Fared Jainal
Mohd Fared Jainal graduated with a Master In Arts (Design) from Open University/LASALLE College of the Arts and is a recipient of the Goh Chok Tong Youth Promise Award. He has collaborated extensively with various theatre and art groups as a director, performer, visual artist and set designer. The Gingerbread Man (Singapore Repertory Theatre), a collaboration with LASALLE College of the Arts, earned him Best Set Design for 2007 Life! Theatre Awards. His work The Comedy of the Tragic Goats by Cake Theatre won him Best Director for 2009 Life! Theatre Awards, and Cuckoo Birds, collaboration between Cake Theatre and Five Arts Centre, Malaysia, won him Best Set Design for 8th BOH Cameronian Arts Awards 2009. In 2010, he was one of the four artists selected for residency with the prestigious La Mama International in Spoleto, Umbria, Italy.

Production Stage Manager: Azy Alias
Assistant Stage Manager: Iffah Idi

 Development Milestones 

Rumah Dayak is in residence at Centre 42’s Basement Workshop from September 2019 to November 2019.

21 – 24 November 2019
Full staging at Malay Heritage Centre Auditorium

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